After I published Half-Truths, I was glad I had a record of my writing process on my blog. Not only did it help me remember the steps I took to reach publication, but it also was a helpful record for my readers. Here’s my work in progress (WIP) backstory to date.
BLOG POSTS
As I am in the beginning stages of plotting Out of the Flame, I thought I’d continue that pattern of chronicling my journey. I am trusting that it won’t take me 18 years this time!
Here is an early look at my inspiration.
Originally, I imagined that this book would flip back and forth between my two characters: Andrew who works in a glass factory in 1893 in South Jersey, and Noah who was an indentured servant in a glass house in 1750. I planned to have Andrew find a curio, small glass objects, and a note or drawing hidden in the walls of his dormitory– all of which had been placed there over a century earlier. The story about their different lives would come through alternating chapters.
In the summer of 2026 as I became more serious about this project, I thought about how most middle grade readers love fantasy more than historical fiction. I started considering using time travel as a way to bring the boys together into one time period. More time together also means more opportunities for adventures–the stuff that makes a book into a page turner.
Guided by enthusiastic input from a few teen readers, I started reading time travel books to see how it was done and what I could learn from mentor novels.
The Devil’s Arithmetic by Jane Yolen, provided a structure that I liked. A character makes one trip back into time. The past is not changed, but the character is.
Time Traveling with A Hamster by Ross Welford, showed me what I wouldn’t attempt (going back and forth in time and scientific explanations for time travel) and the importance of engaging readers with a fun, conversational voice.
CHALLENGING MYSELF
Meanwhile, I’ve rounded up a few Charlotte, NC writer friends and we’re going to start a new critique group. I’ve already been challenged by one of my critique partners, Michelle Nott, to make sure that my book will matter to today’s readers. A recent webinar with Harold Underdown on reader response has also jostled my brain.
Here’s the question I need to keep in front of my eyes as I swim through history: How will a story about child labor and the long-standing history of glass touch kids today?
Stay tuned. I hope you follow my new book journey as we both find that out.